Schlagwort-Archive: Schriftart

Monotype Library Subscription: A user’s experience

MLS. That’s not the name of a tropical disease or some obscure government agency. The abbreviation stands for Monotype Library Subscription. Launched a few days ago, MLS is a subscription-based service that gives members access to “more than 9,000 fonts (2,200 font families)” (Monotype says). The price tag is at no more than €/$ 14.99 per month (or €/$ 119.99 per year). The fonts can be used in desktop applications, but – unlike the fonts on Typekit, a competing service by Adobe – not on websites.

For graphic designers, this sounds like a good deal. €/$ 14.99 per month for high-quality typefaces is next to nothing. A regular licence of most typeface families available through the MLS would cost twenty times as much or more. The choice seems ample: The library, Monotype says, features “reliable workhorses” (such as Avenir Next), “unique choices” (such as Ginkgo, Linotype’s take on the Dolly genre) and “attention grabbing” typefaces (such as Balega). Let’s be clear, though, that most of what you get is hardly at the cutting edge of contemporary type design. Innovation happens elsewhere. This may be a deal breaker for all those who are trying to produce fresh or even innovative work. In that industry, Rockwell (released in 1934 and based on earlier models) probably won’t count as ‘attention grabbing’ any more and Oranda (from the mid-80s) does not qualify as ‘unique’. That may be less of a concern for those interested in subdued text typography: MLS includes a number of modern classics that have aged with grace and can still be used nicely (such as Caecilia), along with some good recent releases (such as Quire Sans). It helps, by the way, if you only need to use Latin-based alphabets: For those, the language support of most typefaces is good. For Greek, Cyrillic or Arabic, not so much.

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